|
|
|
Moving Between Media
|
In 2000, the AIRSPACE featured a fantastic article by Robin White entitled
"How to Make $60K a Year Freelancing in Public Radio."
Robin, inspired by freelancer Reese Erlich, elaborated on a strategy he referred to as "multiple selling." His premise
was that each audio production becomes significantly more profitable if you produce it with a mind to sell it as many
times as possible.
Seven years of platform proliferation later, the universe of selling has become
that much more diversified, and Reese Erlich continues to successfully utilize and refine this terrific approach. This
week's AIRblast features what I like to think of as Reese's triple play. Not only has he written a book and produced a
half-hour documentary to go with it, but he's also worked with his publisher to organize an extensive book tour that
will surely open up additional opportunities for the resale of his story. My favorite thing about this month's member spotlight is that it reminds us of the importance of keeping our minds open to other media, particularly the print medium, to exploit opportunities beyond the scope of radio.
Taking your work to print. Five tips from AIR's Reese Erlich.
#1. Leverage the value of your public radio credentials. When I approached my publisher, PoliPoint Press in California,
the editors were already familiar with my radio work on NPR and PRI. I was able to draw on 20 years of broadcast and print
reporting from the Middle East.
#2. You're going to be actively involved in selling your book. The editors accepted my proposal to write
The Iran Agenda: The Real Story of U.S. Policy and the Middle East Crisis. The actual writing took only about
three months. Organizing a book tour may end up taking longer, and it is only slightly less difficult than writing the
book itself.
These days, publishers prefer authors to make media appearances.
That generates more sales than speaking at bookstores. But I want both to make the book successful and also to help
educate people. So I sent out hundreds of e-mails to universities, churches and community groups.
#3. Who pays for a book tour? The publisher is paying for part of my tour, but I managed to cobble together small
honoraria and speaker's fees to pay for the rest. I will end up speaking in about 20 cities.
#4. Book tours are an opportunity to have impact with your "higher purpose." There is speculation that the Bush
administration may well be planning to bomb Iran, raising fears of a "nuclear holocaust" from a country that even
the CIA believes is years away from having a nuclear weapon. My tour will raise awareness about U.S. plans for Iran
and the repressive nature of the Iranian regime at a time when it's needed. I hope to reach students, academics,
church activists and the Iranian-American community.
#5. Use your AIR network! Thanks to all the AIR members who helped set up speaking engagements. More are welcome.
Go here and click on "events" to see the latest book tour schedule.
To contact Reese, write to rerlich@pacbell.net. For those of you who would like to
learn more about The Iran Agenda, visit http://ReeseErlich.com.
AIR Goodies: Enhance and
expand your radio skills
AIR at PRPD
Minneapolis Marriot City Center Thursday, September 27th
Join AIR's new Executive Director, Sue Schardt, as she "sets the makers' table" at this year's program director's
conference in Minneapolis. The session, which starts at 11 a.m., brings together AIR members Sean Cole
(American Public Media), Barrett Golding (Hearing Voices), Chana Joffe (Wait/Independent and KPLU), and WBEZ General
Manager Torey Malatia who will present their ideas and some new sounds for radio. Conference day rates are $200.
Register and get more conference information here.
Don't worry if you can't make it. PRPD's Arthur Cohen has graciously agreed to make an audio of the session available to
AIR members after the conference, and we'll include links to it in an upcoming AIRblast.
AIR board members Jim Russell (The Program Doctor)
and Jake Shapiro (PRX) will be on hand at the PRPD conference, as well, along with President Sid Selvidge (Beale Street
Caravan). There will be an AIR meet-up at 6 p.m. on Thursday, September 26, at
the FireLake Grill House, where members can meet our ED and share a meal. RSVP to Todd Melby,
melby@bitstream.net.
You can send your comments and questions to airblast@airmedia.org
Funding for AIR comes from our members and the generous
support of The New York State Council on the Arts, The John D.
and Catherine T. MacArthur Foundation, and the National
Endowment for the Arts, which believes that a great nation
deserves great
art. |
|
| |
|
| |
Listen to "The Iran Agenda" A radio documentary written
and produced by Reese Erlich for Making Contact/National Radio Project.
"I recorded most of my book interviews
with the idea of later producing a radio documentary. You can hear the results with the 29-minute documentary
"The Iran Agenda." It will be aired on Making Contact (National Radio Project), broadcast on public radio
stations starting on September 26. We hear the cacophonous sounds of the Tehran Bazaar, and meet ordinary Iranians and
government leaders."
|
|
|
AIRblast
Audio Archive
|
|
|
|
| |
|
| |
Summer AIRSPACE: Nurturing Creativity and Excellence 
AIRSPACE brings you first-person reports on
many of the training events made possible by AIR this year. Exclusively available in PDF at http://www.airmedia.org.
Download now.
Upcoming Award Deadline
From
the AIR Awards Directory
Hearst Journalism Awards
November 13
The purpose is to recognize, reward and inspire
exceptional journalism education in the United States. The program has awarded scholarships to students demonstrating
outstanding performance in college-level journalism, with matching grants to the universities whose faculty and programs
contributed to the students' success. Open to undergraduate college students only.
American Geophysical Union (AGU) Awards for Excellence in Science Journalism
November 15
The Walter Sullivan Award for Excellence in Science
Journalism -- Features The award recognizes excellence in reporting, generally produced with deadlines of longer
than one week, that explains the background of scientific discoveries or principles.
The David Perlman Award for Excellence in Science Journalism -- News The award recognizes excellence in reporting
news of scientific advances, generally produced under deadline pressure of one week or less.
National Audio Theatre Festival (NATF) Script Competition
November 15
NATF's mission is to advocate the further development
and practice of audio theatre. Audio theatre is a unique and collaborative medium. Like any good theatre, audio (or radio)
theatre always begins with a well-written, perceptive, entertaining script. Use of sound and appropriateness to the
medium is considered. Maximum length for this contest: 30 minutes.
Upcoming Fellowship and Grant Deadlines
From
the AIR Fellowships and Grants Directory
Massachusetts Foundation for the Humanities
November 15
The foundation makes grants to nonprofit organizations
to support radio programs, films and videos that explore humanities themes. Grants go toward production, pre-production
and distribution. Public humanities projects bring historical, cultural or ethical perspectives to bear on topics and
issues of interest to our communities. The foundation funds humanities projects designed primarily for general,
out-of-school, adult audiences.
Past issues of the AIRblast are available here. .
To view the AIRblast as a Web page, you can go to
www.airmedia.org/AIRblast.
|
|
Love
the AIRblast?
Send
to a friend NOW!
|
|

Member dues are critical to AIR's financial sustainability. Membership grew by 16 percent last year -- with many new stations and producers signing on -- and your word-of-mouth support will help continue that trend. Recommend AIR to your colleagues through your distribution lists, on list-serves, on your Web sites and blogs, and in daily conversation. If you'd like, you can attach the "Join AIR" button found above to your signature or put on your Web site -- making folks one click away from jumping on board. |
| |
| |